Messages  |   Version française  |  



? | Home page | Simulators | Free | Lepou

Homepage
Home page



LEPOU PLUGINS (official website)

     
Not only are these amp sims free, but they are also excellent. The Lextac has a very Rock sound (derived from the californian amps Bogner), the LE456 is more Metal-oriented (derived from Engl's Powerball amplifier), and the HyBrit sound British (Marshall). Legion is not based on any real amp. The latest one, Lecto, emulates the Rectifier. These amp sims sound absolutely great and you can easily find settings to suit the sound you're looking for.
Please note that these plugins are "donationware", so they are free, but you are encouraged to make a donation to their creator from his official website.

On this page

HyBrit - LE456 - Lecto - Legion - Lextac - SoloC

Downloads

Please download preferably from the official website and donate if you like and use LEPOU's plugins. If you still prefer to download from here, click here...

These amplifier simulators are provided as "DLL" files.
They must be used within a host software, like a D.A.W., and are therefore not usable alone.
Click here to know how to use them.

Haut de page

HYBRIT

This simulator offers two Marshall amps in one: The MCJ channel emulates a JCM800, and the PLS channel emulates a Plexi Super Lead 100.
LePou HyBrit Series
LePou HyBrit Series

HYBRIT DEMOS

ACDC - CHIC - METALLICA - NIRVANA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Back in black" by ACDC

- Download this preset for HyBrit -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Le Freak" by Chic

- Download this preset for HyBrit -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Enter sandman" by Metallica

- Download this preset for HyBrit -
- Preset screenshot -
- See the settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Smells like teen spirit" by Nirvana

- Download preset "Crunch" for Hybrit -
- Preset screenshot -
- Download preset "Drive" for Hybrit -
- Preset screenshot -
- See settings -


Guitare SR Les Paul (mp3)


Guitare Fender Stratocaster (mp3)


Guitare Fender Telecaster (mp3)


"Time" by Pink Floyd

- Download preset for Hybrit -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Blues" by Simon Chenu

- Download preset for Hybrit -
- Preset screenshot -
- See settings -


Guitare SR Les Paul (mp3)


Guitare Fender Stratocaster (mp3)


Guitare Fender Telecaster (mp3)


"Simon's Metal" by Simon Chenu

- Download this preset for HyBrit -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Long Train Running" by The Doobie Brothers

- Download this preset for Hybrit -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Seven Nation Army" by The White Stripes

- Download this preset for Hybrit -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


Download LePou HyBrit Series from LePou's official website

Haut de page

LE456

This simulator emulates the Engl Powerball amplifier.
LePou LE456
LePou LE456

LE456 DEMOS

ACDC - CHIC - METALLICA - NIAGARA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Back in black" by ACDC

- Download this preset for Le456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Le Freak" by Chic

- Download this preset for Le456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Enter sandman" by Metallica

- Download this preset for Le 456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"J'ai vu" by Niagara

- Download this preset for Le 456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Time" by Pink Floyd

- Download this preset for LE456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Blues" by Simon Chenu

- Download this preset for LE456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Metal" by Simon Chenu

- Download this preset for LE456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Long Train Running" by The Doobie Brothers

- Download this preset for LE456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Seven Nation Army" by The White Stripes

- Download this preset for Le 456 -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


Download LePou Le456 from LePou's official website

Haut de page

LECTO

Lecto emulates channels 2 and 3 of a Mesa Boogie Dual Rectifier.

Poulin Lecto

LECTO DEMOS

ACDC - CHIC - METALLICA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Back in black" by ACDC

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Le Freak" by Chic

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Enter sandman" by Metallica

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Time" by Pink Floyd

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Blues" by Simon Chenu

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Metal" by Simon Chenu

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Long Train Running" by The Doobie Brothers

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Seven Nation Army" by The White Stripes

- Download this preset for Lecto -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


Download LePou Lecto from LePou's official website

Haut de page

LEGION

Legion isn't based on a real amplifier. The purpose of his creator was to make a powerful simulation.

LePou Legion

LEGION DEMOS

ACDC - CHIC - METALLICA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Back in black" by ACDC

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Le Freak" by Chic

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Enter sandman" by Metallica

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Time" by Pink Floyd

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Blues" by Simon Chenu

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Metal" by Simon chenu

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Long Train Running" by The Doobie Brothers

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Seven Nation Army" by The White Stripes

- Download this preset for Legion -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


Download LePou Legion from LePou's official website

Haut de page

LEXTAC

This simulator is based on the Bogner Ecstasy XTC amplifier.

LePou Lextac

LEXTAC DEMOS

ACDC - CHIC - METALLICA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES

"Back in black" by ACDC

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Le Freak" by Chic

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Enter sandman" by Metallica

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Time" by Pink Floyd

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Blues" de Simon Chenu

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Simon's Metal" de Simon Chenu

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Long Train Running" by The Doobie Brothers

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


"Seven Nation Army" by The White Stripes

- Download this preset for Lextac -
- Preset screenshot -
- See settings -


SR Les Paul (mp3)


Fender Stratocaster (mp3)


Fender Telecaster (mp3)


Download LePou Lextac from LePou's official website

Haut de page

SOLO C

LePou's very first amplifier simulation. This is version 2.11.
This is an emulation of a Soldano SLO-100 amplifier.

LePou SoloC

"Enter sandman" by Metallica

- Download this preset for SoloC -
- See the settings -


Guitar: SR Les Paul (mp3 file)


Guitar: Fender Stratocaster (mp3 file)


Guitar: Fender Telecaster (mp3 file)


Download LePou SoloC from LePou's official website

Haut de page

DOWNLOADS

You may download the simulators from here, but please download preferably from the official LePou's website and if you like and use his plugins, donate from his website!!!

LePou Lecto
(lepou_lecto_v1.zip, 516 KB)

LePou Legion
(lepou_legion_v1_01.zip, 1.27 MB)

LePou Lextac
(lepou_lextac_v1_0.zip, 780 KB)

LePou Le456
(lepou_le456_v1_1.zip, 935 KB)

LePou Le456, 2011 GUI
(Poulin_Le456_v1_1b.zip, 1.12 MB)

LePou HyBrit Series
(lepou_hybrit_series.zip, 2158 KB)

LePou HyBrit Series, 2011 GUI
(Poulin_HyBrit_Head_v1_1a, 1.05 MB)

LePou SoloC
(SoloC_Head_v2_11.rar, 1.35 MB)


(Mac versions on the official website)

Haut de page

DEMOS SETTINGS

Miscellaneous

Indications - Microphone positioning

Guitar amplifier simulations

ACDC, Chic, Depeche Mode, Led Zeppelin, Metallica, Niagara, Nirvana, Oasis, Pink Floyd, Simon's Blues, Simon's Metal, The Animals, The Doobie Brothers, The White Stripes

Indications

All guitar parts were played by Simon Chenu (guitar player, pianist, drummer, singer, guitar teacher) with three different guitars:
* Les Paul-shaped guitar, the brand is SR Guitars, equipped with 3 pickups: a modern Humbucker neck pickup, a vintage P90-like middle pickup, a vintage Humbucker bridge pickup.
* Fender Stratocaster American Deluxe with stock pickups.
* Fender Telecaster American Deluxe with 2 Humbucker custom pickups : The neck pickup is a Lollar Regal, the bridge pickup is a Fender Wide Range. Simon used the Lollar for demos with distorsion, and the Fender for clear demos.

For each simulator tested:
* Each demo was recorded with all of the three guitars described above,
* Each demo includes two guitar tracks, recorded separately (no copy and paste), and panned right and left in the stereo field.
* With each demo, two different impulse responses (different microphones) were used with each guitar.
* No distorsion pedal was used, in order to show whether or not the simulations can produce the distorsion needed in some musical genres.

The settings of each demo are identical for all three guitars. Some demos will sound better with one guitar than it will on the other two. For instance, in Nirvana's demos, the sound of the Mercuriall demos recorded with a Telecaster is closer to the original sound than what I got with a Les Paul or a Stratocaster, because I made the settings for Telecaster first.

Ideally, each amp sim tested should use different IRs, in order to find the microphone and the positionning that fits the amp best, as you would do when recording real amps with real microphones. Unfortunately, this would take me a considerable amount of time to do, and I cannot afford to do that.

All the IRs I used for these demos are from Redwirez. No EQ was applied, I just added a slight compression on some demos, and a bit of reverb so that it doesn't sound too dry.

These tests help to demonstrate how important the choice of an IR is. From my experience, I would estimate that the sound you get is: 30% from the guitar you use, 30% from the amplifier head, and 40% from the IR. Of course, these values will vary according to the pickup settings on your guitar, the settings of the amplifier, and the use of either a clean or a highly distorted sound will greatly influence the relative importance of these elements.

Microphone positioning

Microphone positioning    Microphone positioning
(pictures: copyright Redwirez)

The closest the microphone from the center of the speaker, the less proximity effect you get, and so you get less lows.
The closest the microphone from the cab, the more precision you get. By moving the microphone farther, the sound becomes less "harsh".

"Back in black" by ACDC

A good old-school Hard Rock sound from the early 80s for this famous riff by ACDC.

Guitar on the left:
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Neumann U67 in Cap Edge position, at a distance of 2 inches (5 cm). Stereo panning: 100% left.
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Neumann U87 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.

Guitar on the right:
One IR of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap Edge position, at a distance of 1 inch (2.5 cm). Stereo panning: 100% right.
One IR of Marshall 1960B cab (loudspeaker: V30) through a microphone Royer R-121 in Cap position, at a distance of 3 inches (7.6 cm). Stereo panning: 100% right.

IRs from Redwirez.

"Le Freak" by Chic

From what I've read, Nile Rogers, Chic's guitar player, doesn't use an amplifier. He plugs his guitar (a stratocaster nicknamed "The Hit Maker") directly into the studio's console preamp. As the objective here is to test amp simulations, I obviously won't do the same. In order to get this clear high sound, I used the following cab impulses:

Guitar on the left:
One IR of Fender Dual Showman cab (loudspeaker: JBL D130) through a microphone AKG C414B-ULS in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.
One IR of Fender Dual Showman cab (loudspeaker: JBL D130) through a microphone Neumann U47 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 50% left.

Guitar on the right:
One IR of Marshall '68 Basketweave cab (loudspeaker: Celestion G12H30) through a microphone AKG C414B-ULS in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
One IR of Marshall '68 Basketweave cab (loudspeaker: Celestion G12H30) through a microphone Neumann U47 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 50% right.

IRs from Redwirez.

"Personal Jesus" by Depeche Mode

This riff was originally played on a Gretsch guitar, through a Rivera Venus 5 amp head and a Rivera 2x12 cab equipped with Celestion G12T-75 loudspeakers. I don't know how the original studio recording was made, but live, the sound is transmitted by a Shure SM57 microphone, and a Shure KSM32 microphone, both placed against the cab cloth. I don't have any KSM32 impulse, but from the actual microphone response diagram, it seems that the closest response curve is that of the Earthworks TC30 microphone, for which I have impulses from Redwirez. Also, I don't have an impulse from the Rivera cab originally used by Depeche Mode, but I do have Marshall and Bogner cabs impulses, both equipped with G12T-75 loudspeakers. I used the following cab impulses:

Guitar on the left:
One IR of Bogner Uberkab cab (loudspeaker: Celestion G12T-75) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
One IR of Bogner Uberkab cab (loudspeaker: Celestion G12T-75) through a microphone Earthworks TC30 in Cap position against the cloth. Stereo panning: 100% left.

Guitar on the right:
One IR of Marshall 1960B cab (loudspeaker: Celestion G12T-75) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.
One IR of Marshall 1960B cab (loudspeaker: Celestion G12T-75) through a microphone Earthworks TC30 in Cap position against the cloth. Stereo panning: 100% right.

IRs from Redwirez.

"Stairway to Heaven" solo by Led Zeppelin

Undoubtedly one of the most famous solos ever, a true standard that I couldn't ignore here. It was played by Jimmy Page with a Fender Telecaster and a Supro amplifier, from what I could find.

Guitar on the left:
One IR of Supro Thunderbolt cab (loudspeaker: Jensen 15") through a microphone Sennheiser MD409 in Cone position, at a distance of 2 inches (5 cm). Stereo panning: 10% left.

Guitar on the right:
One IR of Supro Thunderbolt cab (loudspeaker: Jensen 15") through a microphone Neumann U87 in Cone position against the cloth. Stereo panning: 10% right.

IRs from Redwirez.

"Enter sandman" by Metallica

Another Metal sample from a well-known song by Metallica. Here, I leave the lows in their central position, I lower the mids quite a bit and raise the highs. The saturation is also pretty heavy, depending on the amp sim tested.

Guitar on the left:
One IR of Mesa Rectifier cab (loudspeaker: V30) through a microphone Sennheiser MD421N in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% left.
One IR of Mesa Rectifier cab (loudspeaker: V30) through a microphone Beyerdynamic M160 in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 50% left.

Guitar on the right:
One IR of Roland Jazz Chorus 120 cab (loudspeaker: Roland 12) through a microphone Royer R-121 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
One IR of Roland Jazz Chorus 120 cab (loudspeaker: Roland 12) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 50% right.

IRs from Redwirez.

"J'ai vu" by Niagara

Great riff in E minor for this Blues Rock song by Daniel Chenevez, guitar player from the 1984-1993 French band Niagara. The original song is played on Marshall amps with a LesPaul guitar, paired with a Stratocaster, but I don't know what amps, stomp boxes or settings were used. To try to get close to the original sound, I used the following cab IRs:

Guitar on the left:
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Beyerdynamic M160 in Cap Edge position, at a distance of 0.5 inches (1.3 cm). Stereo panning: 100% left.

Guitar on the right:
One IR of Marshall 1960B cab (loudspeaker: JBL K120) through a microphone Shure SM7 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% right.
One IR of Marshall 1960B cab (loudspeaker: JBL K120) through a microphone Neumann M8 in Cap position, at a distance of 6 inches (15 cm). Stereo panning: 100% right.

IRs from Redwirez.

"Smells like teen spirit" by Nirvana

This famous song starts with a crunch guitar that turns into a heavy saturated sound. The original piece was played by Kurt Cobain on a Fender Mustang left-handed guitar. The information about the amp and cab used for the recording are contradictory but apparently, he often used Marshall 1960A cabs. These are the Impulse Responses that I used:

Left guitar:
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 30% left.
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Beyerdynamic M160 in Cap Edge Off Axis position, at a distance of 1 inch (2.5 cm). Stereo panning: 90% left.

Right guitar:
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone Royer R121 in Cap Edge position, at a distance of 2 inches (5 cm). Stereo panning: 30% right.
One IR of Marshall 1960A cab (loudspeaker: G12M) through a microphone AKG C414 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 90% right.

IRs from Redwirez.

"Wonderwall" by Oasis

One of the most famous songs from Oasis, and probably one of the most covered songs around campfires. The original version is played with an acoustic guitar, so having it played here with an electric guitar might sound a bit strange, but this shows the ability of amp sims to offer a clean, and if possible a warm sound.

Left guitar:
One IR of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.
One IR of Marshall 1960B cab (loudspeaker: V30) through a microphone AKG C414B-ULS in Cap position, at a distance of 6 inches (15 cm). Stereo panning: 100% left.

Right guitar:
One IR of Vox AC30 cab (loudspeaker: Silvers) through a microphone Electrovoice RE20 in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
One IR of Vox AC30 cab (loudspeaker: Silvers) through a microphone Neumann U47 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% right.

IRs from Redwirez.

"Time" solo by Pink Floyd

The purpose here is to reproduce David Gilmour's great solo and see what simulators are capable of when you have to put your guitar sound up front. The original song uses the distorsion from a fuzz pedal (FuzzFace) but in these demos, I don't use any pedal. I used the following cab Impulse Responses:

One IR of Hiwatt SE4123 cab (loudspeaker: Fane) through a microphone AKG C414B-ULS in Cap position, at a distance of 0.5 inches (1.3 cm). Stereo panning: dead center.
One IR of Hiwatt SE4123 cab (loudspeaker: Fane) through a microphone Royer R-121 in Cap position, at a distance of 0.5 inches (1.3 cm). Stereo panning: dead center.

IRs from Redwirez.

Simon's Blues

Simon Chenu created this short Blues demo especially for the Grebz website. The demo helps judging the ability of amp sims to generate a good old Blues sound. Please note that I added a spring reverb simulator (SpringAge from Overloud) to stick to the ambiance.

Guitar on the left:
One IR of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K5-6) through a microphone Neumann U87 in Cap Edge position against the cloth. Stereo panning: 40% left.
One IR of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K5-6) through a microphone Shure SM57 in Cap Edge Off Axis position against the cloth. Stereo panning: 20% left.

Guitar on the right:
One IR of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone M8 in position Cap Edge position, at a distance of 0.5 inches (1.3 cm). Stereo panning: 40% right.
One IR of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone Audix i5 in position Cap Edge Off Axis, at a distance of 2 inches (5 cm). Stereo panning: 20% right.

IRs from Redwirez.

Simon's Metal

Simon Chenu created this short Metal demo especially for the Grebz website. The demo helps judging the ability of amp sims to generate a Modern Rock sound.

Guitar on the left:
One IR of Engl Pro 4x12 cab (loudspeaker: V30) through a microphone Shure SM57 in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 100% left.
One IR of Engl Pro 4x12 cab (loudspeaker: V30) through a microphone AKG C414B-ULS in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 50% left.

Guitar on the right:
One IR of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap Edge Off Axis position, at a distance of 1 inch (2,5 cm). Stereo panning: 100% right.
One IR of Marshall 1960B cab (loudspeaker: V30) through a microphone Sennheiser MD421N in Cap Edge position, at a distance of 3 inches (7,5 cm). Stereo panning: 50% right.

IRs from Redwirez.

"House of the rising sun" by The Animals

This very famous arpeggio was recorded in 1964 by Hilton Valentine, guitarist of The Animals, with a Grtesch Tenessean guitar and a 30-watt Selmer Twin Selectortone amplifier. I don't have any Impulse Responses from this amp, so I picked other cabinets that are good for clean sounds: the Fender Deluxe Reverb and the Vox AC30, which became the amplifier of choice for The Animals after the Selmer.

Guitar on the left:
One IR of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
One IR of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone Neumann U47 in Cap position against the cloth. Stereo panning: 100% left.

Guitar on the right:
One IR of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone Neumann U87 in Cap position against the cloth. Stereo panning: 100% right.
One IR of Vox AC30 Blues cab (loudspeaker: Blues) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.

IRs from Redwirez.

"Long Train Running" by The Doobie Brothers

This demo allows to see how well amp sims can produce crystal-clear sounds.

Guitar on the left:
One IR of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
One IR of Fender Deluxe Reverb cab (loudspeaker: Oxford 12K56) through a microphone AKG C414B-ULS in Cap position against the cloth. Stereo panning: 50% left.

Guitar on the right:
One IR of Mesa Rectifier cab (loudspeaker: V30) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.
One IR of Mesa Rectifier cab (loudspeaker: V30) through a microphone AKG C414B-ULS in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 50% right.

IRs from Redwirez.

"Seven Nation Army" by The White Stripes

The purpose here is to get a vintage, raw sound. The impulses I chose are made after cabs equipped with Jensen loudspeakers, that Jack White seems to be very fond of. The original guitar sound is difficult to reproduce with amp sims alone, as Jack White used a Digitech Whammy stomp box, set down an octave, whereas I only use the amp in the demos.

Guitar on the left:
One IR of Fender Twin cab (loudspeaker: Jensen C12N) through a microphone Beyerdynamic M160 in Cap Edge position against the cloth. Stereo panning: 75% left.
One IR of Fender Twin cab (loudspeaker: Jensen C12N) through a microphone Neumann KM84 in Cap Edge position against the cloth. Stereo panning: 25% left.

Guitar on the right:
One IR of Fender Tweed Bassman cab (loudspeaker: Jensen P10Q) through a microphone Sennheiser MD441 in Cap Edge Off Axis position, at a distance of 2 inches (5 cm). Stereo panning: 75% right.
One IR of Fender Tweed Bassman cab (loudspeaker: Jensen P10Q) through a microphone Earthworks TC30 in Cone position against the cloth. Stereo panning: 25% right.

IRs from Redwirez.

Haut de page


MESSAGES

(leave a message)

Messages page # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35



grohl
le 03/01/2012 à 22h22

Salut grebz,

Tout d'abord bravo pour ton site.
Je te contacte en fait parce que j'ai plusieurs questions à te poser.
Je suis une quiche en info mais pourtant j'aimerais bien m'amuser à enregistrer mes compos via un simulateur d'ampli.
J'ai téléchargé Kuassa amplifikation lite et le souci c'est que je n'ai aucun son qui sort quand je branche ma guitare sur le PC.
En matos, je n'ai pas grand chose, j'ai testé comme ça avec mon PC portable et sa carte son avec ma gratte branché en direct et mon casque audio basique mais qui fait le boulot.
Première question:
mon matos et mes branchements correspondent-ils ?
Si non, que me conseilles-tu comme matos à pas cher pour que je puisse me faire plaisir ?

Je t'en remercie d'avance

A+
Grohl

* * * * * * * * * * * * * * * *

<em>Je manque un peu de détails mais a priori, tu n'as pas vraiment l'équipement pour jouer convenablement de la guitare sur PC via un simulateur d'ampli.

Premier point :
Kuassa est un VST, c'est à dire un plugin. Les VST ne peuvent pas être utilisés indépendamment, ils viennent se greffer sur un logiciel hôte, en général un séquenceur.
Il existe des logiciels qui ne sont pas des séquenceurs mais des "hôtes VST" qui permettent d'utiliser des VST sans séquenceur. J'en connais un gratuit, mais je ne l'ai jamais testé, donc je ne sais pas s'il fonctionne bien ou pas. Il s'appelle tout simplement VST Host : <a href="/Downloads/tutorial_homestudio/vsthost.zip">Télécharger</a> (vshost.zip, 194 Ko).
S'il marche, très bien, cela épargne l'achat et l'utilisation des séquenceurs, qui sont quand même un peu complexes pour ceux qui n'ont pas envie de se prendre la tête et qui veulent simplement pouvoir jouer. En revanche pour s'enregistrer, l'utilisation d'un séquenceur devient indispensable.
Voir ma <a href="musique_homestudio_tutorial_required_3.php" target="_blanck">page sur les séquenceurs</a> pour se faire une idée.
Comme dit sur la question précédente, je conseille d'essayer Reaper pour diverses raisons. Fiable et peu cher, tout en gardant en tête qu'un séquenceur n'est pas évident du tout à prendre en main quand on débute totalement. Mais c'est comme tout, si on veut vraiment, on peut et il suffit d'apprendre. Pas toujours évident, mais loin d'être insurmontable.

Deuxième point :
La carte son intégrée à l'ordinateur portable... Elle a deux défauts pour ce que tu veux en faire.

- D'abord elle n'est pas conçue pour le volume sonore très faible qu'une guitare électrique lui envoie quand tu la branches en direct. Les guitares électriques (ou électro-acoustiques... toutes celles qui se branchent, quoi) ont besoin d'une amplification, ce que la carte son intégrée à l'ordinateur n'offre pas.
Pour remédier à cela, il faut donc soit passer par un préampli (<a href="musique_homestudio_tutorial_required_2.php#preamp" target="_blanck">exemple ici</a>), soit, ce qui est bien mieux, par une véritable interface audio (<a href="musique_homestudio_tutorial_required_2.php#interface" target="_blanck">ici</a>).

- Ensuite, les cartes audio basiques provoquent de la latence, c'est à dire un délai entre le moment où l'on joue sur l'instrument et le moment où on entend le son dans le casque ou les enceintes. Et cette latence est souvent trop grande pour permettre de jouer dans de bonnes conditions (une bonne demi-seconde, ce qui est énorme).
On peut y remédier grâce à Asio4All (<a href="http://www.asio4all.com/" target="_blank">site officiel</a>), un petit logiciel qui permet de réduire fortement la latence des cartes audio de base, mais ce n'est pas l'idéal malgré tout.

La meilleure solution reste vraiment l'interface audio. Pour du matériel correct, il faut quand même compter aux alentours de 150 euros en entrée de gamme, et il ne faut pas être surpris de tomber sur des prix d'interfaces entre 300 et 1000 euros ! Oui, la MAO a malheureusement un coût.

Troisième point :
Le casque... je ne sais pas ce que c'est comme modèle, mais comme je le dis dans mon didacticiel, mixer au casque n'est pas très recommandé, sauf (et encore...) avec de très bons casques spécifiques. Bon, n'exagérons pas, on peut très bien débuter et se faire plaisir avec du matériel de base. Si vraiment ça devient une passion et qu'on veut absolument faire "aussi bien que les pros", il faudra investir dans du matériel plus complet et plus haut de gamme. Mais chaque chose en son temps et à moins d'avoir de l'argent à claquer, il est raisonnable d'être prudent (et prudent d'être raisonnable). Commence donc avec ce que tu as comme casque, l'investissement dans des enceintes de monitoring viendra plus tard.

En résumé :
<strong>Guitare -> (préampli) interface audio -> ordinateur -> séquenceur -> simulateur d'ampli -> simulateur de baffle -> casque</strong>

Grebz</em>



Gulibert
le 03/01/2012 à 21h19

Bonjour Grebz,
Très intéressant ton site, je m'en inspire pour certains achats... :-)

J'ai, en fait, une question ou "un service" à te demander. Puisque tu as de l'avance sur moi en terme de MAO.
Chansonnier et guitariste de la vieille école, si je désire être "accompagné" d'un ordinateur pour ajouter 3-4 instruments de plus à mes représentations. Est-ce que tu me suggères quand même Sonar ? Car je me suis amusé avec la version démo et bien qu'il soit puissant, je ne veux que "préparer le montage" de mes chansons, ajouter une playlist ou une banque et lancer l'accompagnement avec mon interface midi...

Merci de tes lumières sur ce sujet...

Gulibert

* * * * * * * * * * * * * * * *

<em>Je ne suggère pas Sonar plus qu'un autre séquenceur. Si je parle de Sonar dans mes descriptions, c'est tout simplement parce que c'est le séquenceur que j'utilise. Si j'étais utilisateur de Cubase ou ProTools, c'est d'eux que je parlerais.

Mon conseil pour ne pas dépenser trop d'argent serait d'essayer Reaper. C'est un séquenceur comparable à Sonar ou Cubase, avec ses qualités et ses défauts, mais qui permet de faire tout ce que ces deux autres séquenceurs permettent. Les fonctions ne sont pas forcément toutes identiques, l'interface est un peu différente, le nom des paramètres ne sera pas toujours le même, mais c'est grosso modo la même manière de procéder.

L'avantage de Reaper ? Son prix. On peut le télécharger et l'utiliser gratuitement sans limitation, en version 32 ou 64 bits. Comme il n'est pas bridé, et contrairement à une version démo, on a accès à toutes ses fonctions. Mais attention ! Ce n'est pas un logiciel gratuit pour autant. Si vous le téléchargez et que vous l'utilisez vraiment, pas seulement à titre d'essai, vous devez l'acheter.

Contrairement à ses concurrents, Reaper ne coûte que 60 dollars (45 euros), là où les versions complètes de sonar ou Cubase avoisinent plutôt les 400 euros ! Il existe aussi des versions light de ces derniers, aux alentours de 100 euros et ils peuvent aussi constituer une excellente solution. La différence, c'est que Reaper n'existe qu'en une seule version, complète. mais en contrepartie, Sonar et Cubase proposent plus de logiciels annexes (des synthés, des effets, etc.) fournis au moment de l'achat que Reaper. Mais comme tous ces outils complémentaires se trouvent facilement et gratuitement sur Internet, l'avantage n'est pas forcément déterminant.

Je t'encourage donc à au moins essayer Reaper, et puisque tu as déjà essayé la démo de Sonar, cela te fera un point de comparaison pour faire ton choix ensuite. Si tu as le courage, tu peux aussi essayer les démos d'autres séquenceurs comme Cubase.

Grebz</em>



Jvne
le 06/12/2011 à 12h40

Merci beaucoup Grebz, pour cette mine d'infos - sur les impulsions notamment.
Au plaisir.

* * * * * * * * * * * * * * * *

<em>De rien !

Grebz</em>



mudy2151
le 02/12/2011 à 12h52

Un grand merci pour cette sélection VST et descriptions ainsi que les exemples audio.
Formidable.

* * * * * * * * * * * * * * * *

<em>De rien, content que ça serve à tout le monde !

Grebz</em>



Wyv3rN
le 25/11/2011 à 10h53

J'étais sur Guitar Rig 4 avant, ben depuis que j'ai découvert ces simus d'amplis et de cabs gratuits, je l'ai presque mis à la poubelle (sauf pour les effets). Le X30 couplé avec 2 cabs de Mesa, c'est peu de dire que ça envoie le pâté !!! Bravo pour le site clair, avec aperçus visuels et sonores, c'est du tout bon !!!

* * * * * * * * * * * * * * * *

<em>Oui, tout n'est pas à jeter dans les simulations payantes, loin de là, et elles ont l'avantage de proposer beaucoup de choix, mais quand on n'a pas un rond de côté pour s'acheter des plugins en plus du séquenceur, c'est quand même génial de pouvoir disposer d'alternatives gratuites et d'excellente qualité.

Grebz</em>

Top of page